Friday, July 6, 2012
Snippet
I remember hearing the song for the first time. I was in the car, as usual, and I felt helpless in my inability to not only stop and savour every note and lyric, but to write the tiny bit of information I'd held in my brain from the DJ's remark before playing the track, knowing I was sure to have forgotten too much for the memory to be useful by the time I had a chance to write anything.
Wednesday, June 27, 2012
Thursday, June 21, 2012
Haiku: Postcard
I missed the deadline,
You can fail me for the week.
Nevertheless, here:
1.
Pretty postcards show
What fun things I've been doing
Because you ar'n't here.
2.
The last thing she sent:
A postcard from Hawaii.
Then she disappeared.
3.
"With all of my heart:"
The last words she wrote before
She left forever.
You can fail me for the week.
Nevertheless, here:
1.
Pretty postcards show
What fun things I've been doing
Because you ar'n't here.
2.
The last thing she sent:
A postcard from Hawaii.
Then she disappeared.
3.
"With all of my heart:"
The last words she wrote before
She left forever.
Friday, June 15, 2012
Fishing
My first cast hit the water with a lame plunk, hardly worthy of the effort I’d made. Dad just said, “Try again.” Eventually I caught something tiny, but judging by his excitement it may as well have been a whale.
I still see his smile when I fish now, with or without my own kids.
* * * * *
FFF-55, Vol. XXXVIII? Tell a story in exactly 55 words. Go see G-Man. Dedicated to my dad on what would be his 39th Father's Day.
Wednesday, June 13, 2012
Haiku: Freestyle
Wednesday, May 23, 2012
Haiku: Drift
Wednesday, May 16, 2012
XJ Vision
I hereby propose a new English phrase:
XJ vision (eks-jey vizh-uhn) n. The propensity for owners of Jeep Cherokee (AMC/Chrysler designation "XJ") vehicles to see other Jeep Cherokees at a greater frequency than owners of other vehicle types, especially at great distances, areas of high car density such as parking lots and traffic jams, and while absentmindedly watching cross- or opposing traffic at a red light. Not to be confused with the Jeep wave.
* Other Chrysler Jeep designations (this list is by no means comprehensive and could contain errors):
ZJ Jeep Grand Cherokee ZJ (93-98) or
WJ Jeep Grand Cherokee (99+)
CJ Wrangler
KJ Liberty
All in favor say aye.
XJ vision (eks-jey vizh-uhn) n. The propensity for owners of Jeep Cherokee (AMC/Chrysler designation "XJ") vehicles to see other Jeep Cherokees at a greater frequency than owners of other vehicle types, especially at great distances, areas of high car density such as parking lots and traffic jams, and while absentmindedly watching cross- or opposing traffic at a red light. Not to be confused with the Jeep wave.
* Other Chrysler Jeep designations (this list is by no means comprehensive and could contain errors):
ZJ Jeep Grand Cherokee ZJ (93-98) or
WJ Jeep Grand Cherokee (99+)
CJ Wrangler
KJ Liberty
All in favor say aye.
Haiku: Fire
Friday, May 11, 2012
Encounter
I was late, as usual. I wasn’t paying attention as I pulled
into the lot and nearly hit a woman, clearly just as late and stressed as me. However agitated she was, I only made it worse, and she sure let me have it.
That was eighteen years ago. She’s still gorgeous when she’s
angry.
* * * * *
FFF-55 Vol. [XXXVII?]. Tell a story in exactly 55 words. G-Man is still recovering; let's all wish him well.
Wednesday, May 9, 2012
Haiku: Landscape
Monday, May 7, 2012
I ♥ Firefly
Links to full episodes on YouTube. No telling how long these links will last (as you'll see, one has already been taken down).
*Disclaimer: Do not watch these (or listen to them while working, like I do) until you own a legitimage bought-and-paid-for DVD box set. Make sure Fox knows we still love this series by supporting it with your dollar bills (or pounds, yen, rupees, euros, et cetera)!
Episode 1: Pilot
Episode 2: The Train Job
Episode 3: Bushwhacked
Episode 4: Shindig
Episode 5: Safe
Episode 6: Our Mrs. Reynolds
Episode 7: Jaynestown
Episode 8: Out of Gas
Episode 9: Ariel
Episode 10: War Stories
Episode 11: Trash
Episode 12: The Message (in three parts)
Episode 13: Heart of Gold
Episode 14: Objects in Space
*Disclaimer: Do not watch these (or listen to them while working, like I do) until you own a legitimage bought-and-paid-for DVD box set. Make sure Fox knows we still love this series by supporting it with your dollar bills (or pounds, yen, rupees, euros, et cetera)!
Episode 1: Pilot
Episode 2: The Train Job
Episode 3: Bushwhacked
Episode 4: Shindig
Episode 5: Safe
Episode 6: Our Mrs. Reynolds
Episode 7: Jaynestown
Episode 8: Out of Gas
Episode 9: Ariel
Episode 10: War Stories
Episode 11: Trash
Episode 12: The Message (in three parts)
Episode 13: Heart of Gold
Episode 14: Objects in Space
Friday, May 4, 2012
Ode to G-Man
When I finally got around to it again, I was so proud of
myself. But when I went to post my work, I realized I’d missed a whole lot of
important news. Apparently, the G-Man is out for repairs!
Get well soon, Galen. We miss you! Here’s to hoping for many
more kick ass weekends!
* * * * *
FFF-55 Vol. [omg who cares]. Tell a story in exactly 55 words. Go see G-Man.
The last couple weeks, Galen (AKA G-Man), the host of the weekly Friday Flash Fiction 55 blogapalooza, fell ill and has been hospitalized. I don't know this man, but I know his mind, his face, his sense of humor, his passions--I've all but shaken his hand through his writing, and I'm glad of it. I know I'm not the only one who feels this way--dozens of others participate far more often than I do in the weekly fictionfest. I'm sending a little extra good feeling up toward the middle knuckle area of my left handed map.
Wednesday, May 2, 2012
Haiku: Spring
Orion slips down,
Now below the horizon,
While Leo rises.
Trees stretch t'ward sunlight.
Branches sprout bud and flower,
Shed their winter grey.
The softening wind
Reassures our numbed senses
That winter is over.
* * * * *
Wednesday, April 25, 2012
Tuesday, April 24, 2012
2000 Jeep XJ Power Window Fix
Boredom warning! This post has nothing to do with my usual topics of choice. Unless you came to this page by some internet search for "Cherokee power windows don't work" or "Jeep XJ driver door module" or something similar, time to hit that 'Next Blog' button up there at the top of your browser. What's that you say? Yep, no prob... see ya.
Still here? Okay.
I recently worked on my 2000 Jeep Cherokee XJ to correct an issue that intermittently prevented the passenger power window controls from working. I had such a hard time finding any useful information on this issue (except that lots of people have it), I decided to share my solution for others who might have the same problem.
Disclaimer: I'm not an engineer of the mechanical or electrical nature. I'm not necessarily handy with electronics, and I'm ignorant of most of the proper terms and meanings of things like "wire harness." My greatest strength is that I'm resourceful, detail oriented, and (sometimes) patient. If you follow my advice and your car catches fire, starts jolting you when you touch metal parts, or spontaneously becomes a beacon for extraterrestrials, it's not my fault.
The problem:
The passenger power window switches wouldn't work most of the time. Sometimes they would, but I could never figure out what made the difference.
The actual problem is a fault in the lockout button that keeps it in 'lock out' mode and cuts power to the passenger controls.
Here's one solution from YouTube's mrkvickasteve, the same guy who helped me save >$400 on my ignition lock cylinder. I was very near to trying his method until I thought to look through the service manual I downloaded somewhere (can't remember where). I created a .zip file of the PDFs and uploaded it to my Google Docs. The link is here: https://docs.google.com/open?id=0BzTEn4Ef4A2BZE1jX3ZQd09uRkk. It doesn't have everything (part numbers are of notable absence), but it's an excellent place to start with any problem.
The solution:
Group 8S of the service manual covers power window systems. It shows the wire connectors that attach to the Driver Door Module (DMM). Here's the one-glance answer:
When the lockout is off (meaning the passenger controls should work), power flows from pin 8 in connector 1 to pin 9 in connector 2.
To bypass the lockout button, you have to keep the power flowing. I used a length of 16-gauge wire about 7 inches long taken from an old lamp power cord.
Keep in mind this image corresponds to the back of the DMM (part number 56004994AC--or 56009461AC, which I was told was a "production part number"), not the positions on the back of the plugs, where the wires come together, which is where I made my connections.
To bridge these connections, you'll need to know the wire colors:
C1 pin 8: biggest yellow wire
C1 pin 9: big tan wire.
The wiring on the plugs is held tight by light blue clips which can be removed by prying up three sides. I stripped about 3/8" from both ends of my wire, twisted the copper, and twisted it into the square receptaple alongside the yellow and tan wire connectors. You may have more skills and better tools than me, so by all means get as creative as you need to. Putting the light blue clips back on was an exercise in patience, especially if you're working in failing daylight like I was.
Should you be having any other issues with the power windows, the rest of the wire colors can be found in the service manual in Group 8W-60.
So here are the steps:
1. Remove the driver door panel: first pop off the plastic trim surrounding the lock/door handle (do not remove that screw!), then remove three large screws in the armrest and one small screw at the top right. Pry up the bottom left corner of the panel with a wide, flat tool and pull gently to release all the retainer clips. It may take some coaxing around the door handle. Once the whole panel will swing along the top edge, gently lift it straight up and off.
2. Disconnect the wire connectors from C1 and C2 at the back of the DMM. You need not remove the DMM. If you know what you're doing, maybe you can do something similar to what Mudderoy did to make your repair. The service manual tells you to disconnect the negative battery terminal first. I didn't.
3. Remove the light blue clips from the wire connectors.
4. Connect C1 pin 8 (large yellow wire) and C2 pin 9 (large tan wire) with your wire. Ideally, you would remove each wire from the connector, somehow join your new wire to the contact end, and reinsert it into the connector. I had not the skill, tool, nor time to do it that way.
5. Reassemble. Replace light blue clips, reinstall wire connectors, and put the door panel back on. I haven't been able to get the door handle trim back on completely yet; if you have tips, please share!
6. Test it. I haven't done this part yet, but it involves volunteering to drive when I go out to lunch with my work buddies and waiting for them to complain about their windows.
7. If all else fails, either (a) spend the $174 on a new dealer OEM part, (b) risk a cheaper aftermarket or second-hand OEM part, or (c) keep putting up with complaints from your work buddies and family.
Good luck!
Still here? Okay.
I recently worked on my 2000 Jeep Cherokee XJ to correct an issue that intermittently prevented the passenger power window controls from working. I had such a hard time finding any useful information on this issue (except that lots of people have it), I decided to share my solution for others who might have the same problem.
Disclaimer: I'm not an engineer of the mechanical or electrical nature. I'm not necessarily handy with electronics, and I'm ignorant of most of the proper terms and meanings of things like "wire harness." My greatest strength is that I'm resourceful, detail oriented, and (sometimes) patient. If you follow my advice and your car catches fire, starts jolting you when you touch metal parts, or spontaneously becomes a beacon for extraterrestrials, it's not my fault.
The problem:
The passenger power window switches wouldn't work most of the time. Sometimes they would, but I could never figure out what made the difference.
The actual problem is a fault in the lockout button that keeps it in 'lock out' mode and cuts power to the passenger controls.
Here's one solution from YouTube's mrkvickasteve, the same guy who helped me save >$400 on my ignition lock cylinder. I was very near to trying his method until I thought to look through the service manual I downloaded somewhere (can't remember where). I created a .zip file of the PDFs and uploaded it to my Google Docs. The link is here: https://docs.google.com/open?id=0BzTEn4Ef4A2BZE1jX3ZQd09uRkk. It doesn't have everything (part numbers are of notable absence), but it's an excellent place to start with any problem.
The solution:
Group 8S of the service manual covers power window systems. It shows the wire connectors that attach to the Driver Door Module (DMM). Here's the one-glance answer:
When the lockout is off (meaning the passenger controls should work), power flows from pin 8 in connector 1 to pin 9 in connector 2.
To bypass the lockout button, you have to keep the power flowing. I used a length of 16-gauge wire about 7 inches long taken from an old lamp power cord.
Keep in mind this image corresponds to the back of the DMM (part number 56004994AC--or 56009461AC, which I was told was a "production part number"), not the positions on the back of the plugs, where the wires come together, which is where I made my connections.
To bridge these connections, you'll need to know the wire colors:
C1 pin 8: biggest yellow wire
C1 pin 9: big tan wire.
The wiring on the plugs is held tight by light blue clips which can be removed by prying up three sides. I stripped about 3/8" from both ends of my wire, twisted the copper, and twisted it into the square receptaple alongside the yellow and tan wire connectors. You may have more skills and better tools than me, so by all means get as creative as you need to. Putting the light blue clips back on was an exercise in patience, especially if you're working in failing daylight like I was.
Should you be having any other issues with the power windows, the rest of the wire colors can be found in the service manual in Group 8W-60.
So here are the steps:
1. Remove the driver door panel: first pop off the plastic trim surrounding the lock/door handle (do not remove that screw!), then remove three large screws in the armrest and one small screw at the top right. Pry up the bottom left corner of the panel with a wide, flat tool and pull gently to release all the retainer clips. It may take some coaxing around the door handle. Once the whole panel will swing along the top edge, gently lift it straight up and off.
2. Disconnect the wire connectors from C1 and C2 at the back of the DMM. You need not remove the DMM. If you know what you're doing, maybe you can do something similar to what Mudderoy did to make your repair. The service manual tells you to disconnect the negative battery terminal first. I didn't.
3. Remove the light blue clips from the wire connectors.
4. Connect C1 pin 8 (large yellow wire) and C2 pin 9 (large tan wire) with your wire. Ideally, you would remove each wire from the connector, somehow join your new wire to the contact end, and reinsert it into the connector. I had not the skill, tool, nor time to do it that way.
5. Reassemble. Replace light blue clips, reinstall wire connectors, and put the door panel back on. I haven't been able to get the door handle trim back on completely yet; if you have tips, please share!
6. Test it. I haven't done this part yet, but it involves volunteering to drive when I go out to lunch with my work buddies and waiting for them to complain about their windows.
7. If all else fails, either (a) spend the $174 on a new dealer OEM part, (b) risk a cheaper aftermarket or second-hand OEM part, or (c) keep putting up with complaints from your work buddies and family.
Good luck!
Wednesday, April 18, 2012
Wednesday, April 11, 2012
Haiku: Happiness
Sunlight, morning dew,
Warbler sings the day's first song,
Spring flowers break ground.
* * * * *
(Late addition:)
Eudomonia:
Aristotelianist
word for HAPPINESS.
A new venture for me: Sensational Haiku Wednesdays!
Warbler sings the day's first song,
Spring flowers break ground.
* * * * *
(Late addition:)
Eudomonia:
Aristotelianist
word for HAPPINESS.
A new venture for me: Sensational Haiku Wednesdays!
Friday, April 6, 2012
Peer Pressure

I inhaled and almost lost my lunch. He laughed. “You’re thirteen now,” he said, “man up.”
* * * * *
FFF-55 Vol. XXXIII. Tell a story in exactly 55 words. Go see G-Man.
Friday, March 23, 2012
Awkward
![]() |
| Velma: first nerd girl of my generation |
She stood out because she was so plain. Every day I’d passed her in the math hall and we’d exchange a friendly nod or look, but never words. Neither of us would have known what to say anyway. Then I saw her on the lawn at Pine Knob wearing cutoffs and a tank top. Wow.
* * * * *
FFF-55 Vol. XXXII. Tell a story in exactly 55 words. Go see G-Man.
My tribute to nerd girls, for which we nerd boys will forever be grateful, and a nod to one of my fav's, HNG. Also a good excuse to share one of my recent guilty pleasures (explicit).
Friday, March 16, 2012
Truck Love
My wife introduced us in ‘07. She was tough and sexy, with a classic body. I had to have her.
We've been through a lot since, not all of it pleasant. But I'm still in love, and I’m gonna show it. It won’t take much to find passion again. I think we both deserve it.
* * * * *
FFF-55 Vol. XXXI. Tell a story in exactly 55 words. Go see G-Man.
We've been through a lot since, not all of it pleasant. But I'm still in love, and I’m gonna show it. It won’t take much to find passion again. I think we both deserve it.
* * * * *
FFF-55 Vol. XXXI. Tell a story in exactly 55 words. Go see G-Man.
Thursday, March 15, 2012
Reconciliation
Well, so now it seems I'm the only one who hasn't had my say.
It's not because I haven't been paying attention. When all this (recent) business started, I delayed reaction, and asked others to delay reaction, because I wasn't sure what the right course of action was, or if any action was necessary at all. I was temporarily content to maintain my silence.
In the meantime, I was (justly) accused of not speaking up for the greater good, not making a strong position well known. This wasn't really surprising to me. Don't think I didn't feel a little wimpy because of my inaction. However, I know myself, and I know that when I respond immediately to a tender situation, especially in writing, I usually get myself in trouble because I haven't allowed myself to absorb all the facts and emotions, and my response is usually misunderstood because I couldn't grasp the context enough to present it well to my audience(s). This situation was certainly no exception, and so rather than risk being taken out of context, and thereby accused of something much more egregious than not speaking up, I chose instead to endure the accusation. The actions of others that followed were not entirely unexpected.
One problem here is that I am not understood well enough to be trusted to do what's right. You see, it isn't that my intentions aren't good, or that my priorities aren't in order. I do know what's right, and for the first time since this all began, I finally understand why. There's a reason I'm here; there are important things for me to do. It's no surprise to anyone that I'm ill-equipped for these roles, but what might be is that I desire more than anything to fulfill them well. I've been called to do something important, and even though I've proven over and over that I'm incapable of it, that job is still in my lap. I'm still expected to do it, and if the one I'll answer to when I ultimately succeed or fail can have this much patience with me, maybe I can find it in myself to become capable after all. I deserve another shot at it, and even if I've squandered the patience and trust of those around me, I am going to take that shot. To put a humorous spin on it all, Steve Martin put it best in "The Jerk" when he said "I have a special purpose!" Well hey folks, so do I.
To be fair to my doubters, this isn't the first time I've tried to change. It's true that much of what I've said has been said before. To be fair to myself, it is the first time I've tried changing my approach to change, if that makes any sense. My entire adult life, I've made some very bad decisions, and I have 20+ years of legitimate reasons why, but none of them qualify as excuses any more. Changing how I operate hasn't been easy, and it hasn't taken hold because I've been doing it for the wrong reasons. Now I think I have the key. This doesn't mean I won't have trouble, and it doesn't mean I don't foresee problems in fulfilling this purpose, and it sure doesn't mean I won't occasionally fail. I have a lot of details to work out, and I'm going to need a lot of help, but for once I think I've found the team that will pull me through.
So listen here. I am paying attention. I want my position to be known. It just seems I needed more time to speak it than others. Let me state it now then, for the record: Any and all who wish me well, if they are to support my success, should honor their place as has been agreed and forewritten. They should respect the sanctity of my heart, my home, and my family. We all have some role to play in this and I, for one, am ready to move on and start figuring out how to play mine. Finally, regardless of how others may feel, I will not speak or write words intended to harm or hurt anyone. There have been more than enough of both from all sides and it's time for something greater than a tenuous ceasefire. We need to learn to coexist peacefully, even if we intend to steer clear of each other, before any of us can begin to heal, let alone prosper. I will pray for this outcome, and I invite you all to do the same.
SCWA
It's not because I haven't been paying attention. When all this (recent) business started, I delayed reaction, and asked others to delay reaction, because I wasn't sure what the right course of action was, or if any action was necessary at all. I was temporarily content to maintain my silence.
In the meantime, I was (justly) accused of not speaking up for the greater good, not making a strong position well known. This wasn't really surprising to me. Don't think I didn't feel a little wimpy because of my inaction. However, I know myself, and I know that when I respond immediately to a tender situation, especially in writing, I usually get myself in trouble because I haven't allowed myself to absorb all the facts and emotions, and my response is usually misunderstood because I couldn't grasp the context enough to present it well to my audience(s). This situation was certainly no exception, and so rather than risk being taken out of context, and thereby accused of something much more egregious than not speaking up, I chose instead to endure the accusation. The actions of others that followed were not entirely unexpected.
One problem here is that I am not understood well enough to be trusted to do what's right. You see, it isn't that my intentions aren't good, or that my priorities aren't in order. I do know what's right, and for the first time since this all began, I finally understand why. There's a reason I'm here; there are important things for me to do. It's no surprise to anyone that I'm ill-equipped for these roles, but what might be is that I desire more than anything to fulfill them well. I've been called to do something important, and even though I've proven over and over that I'm incapable of it, that job is still in my lap. I'm still expected to do it, and if the one I'll answer to when I ultimately succeed or fail can have this much patience with me, maybe I can find it in myself to become capable after all. I deserve another shot at it, and even if I've squandered the patience and trust of those around me, I am going to take that shot. To put a humorous spin on it all, Steve Martin put it best in "The Jerk" when he said "I have a special purpose!" Well hey folks, so do I.
To be fair to my doubters, this isn't the first time I've tried to change. It's true that much of what I've said has been said before. To be fair to myself, it is the first time I've tried changing my approach to change, if that makes any sense. My entire adult life, I've made some very bad decisions, and I have 20+ years of legitimate reasons why, but none of them qualify as excuses any more. Changing how I operate hasn't been easy, and it hasn't taken hold because I've been doing it for the wrong reasons. Now I think I have the key. This doesn't mean I won't have trouble, and it doesn't mean I don't foresee problems in fulfilling this purpose, and it sure doesn't mean I won't occasionally fail. I have a lot of details to work out, and I'm going to need a lot of help, but for once I think I've found the team that will pull me through.
So listen here. I am paying attention. I want my position to be known. It just seems I needed more time to speak it than others. Let me state it now then, for the record: Any and all who wish me well, if they are to support my success, should honor their place as has been agreed and forewritten. They should respect the sanctity of my heart, my home, and my family. We all have some role to play in this and I, for one, am ready to move on and start figuring out how to play mine. Finally, regardless of how others may feel, I will not speak or write words intended to harm or hurt anyone. There have been more than enough of both from all sides and it's time for something greater than a tenuous ceasefire. We need to learn to coexist peacefully, even if we intend to steer clear of each other, before any of us can begin to heal, let alone prosper. I will pray for this outcome, and I invite you all to do the same.
SCWA
Thursday, March 8, 2012
Job Opening
Mother Nature wishes to fill a position recently vacated in the Department of Seasonal Services, Winter Office, for the southeast Michigan region. Job duties include facilitating snowfall, maintaining sledding conditions, and ensuring ice thickness suitable for fishing between the months of November and February. Ideal candidate will be proficient with precipitation and judicious with extremes.
* * * * *
FFF-55 Vol. XXX. Tell a story in exactly 55 words. Go see G-Man.
* * * * *
FFF-55 Vol. XXX. Tell a story in exactly 55 words. Go see G-Man.
Thursday, February 23, 2012
Lantern
I am a light, and I am pure, because I was created that way. I am brighter than any earthly thing any mortal being has ever seen.
I shine behind lenses fitted crudely about an awkward housing. There never used to be lenses, but their creation was a necessary part of Becoming. They are crafted from shards of others' lenses which have broken, handed to me by broken people so that I may construct my own, and as mine break along their various faults, so shall I hand out shards to those whose lives I am shaping. The housing is not awkward by definition; it has become so shaped by the many hands that have warped it throughout my years. It does not define me--it is merely a vessel--but it becomes the perception of who I am, both because that is part of its purpose, and because others who see me have only their own lenses through which to view me.
My light falls onto that background which is nearest at hand, into which I've carried myself, sometimes by folly. As my lenses shift, and the backgrounds change, those images which are created will become what others will come to define me by. And, though limited, my choice of lenses through which to shine, and screens on which to project, will become what others call my character.
(work in progress)
I shine behind lenses fitted crudely about an awkward housing. There never used to be lenses, but their creation was a necessary part of Becoming. They are crafted from shards of others' lenses which have broken, handed to me by broken people so that I may construct my own, and as mine break along their various faults, so shall I hand out shards to those whose lives I am shaping. The housing is not awkward by definition; it has become so shaped by the many hands that have warped it throughout my years. It does not define me--it is merely a vessel--but it becomes the perception of who I am, both because that is part of its purpose, and because others who see me have only their own lenses through which to view me.
My light falls onto that background which is nearest at hand, into which I've carried myself, sometimes by folly. As my lenses shift, and the backgrounds change, those images which are created will become what others will come to define me by. And, though limited, my choice of lenses through which to shine, and screens on which to project, will become what others call my character.
(work in progress)
Wednesday, January 25, 2012
ET Go Home
Months ago, I overheard this statement:
I've allowed this statement to rattle around in my head ever since, weighing its validity from time to time, and I've never found cause to reject it. In fact, I've found it's the key to understanding many of my behaviours and some of the situations I've found myself in.
Of course, this statement is based on the assumption that a body has our soul 'installed' at some point during conception. A reiki practitioner once said to me, "Your body is not who you are; it's just a vehicle." I remember those words very clearly, and when I heard the ET statement, this experience came rushing at me like one of those movie epiphanies that ends with the camera focused only on the character's eyes, leaving me a little dumbstruck.
The ET statement is also based on the idea that there is a separation between the spiritual world and the physical world, and that we as human beings have the unique capacity to inhabit both simultaneously. This is something C.S. Lewis first introduced me to while reading The Screwtape Letters. Unfortunately, our modern existence revolves mostly (completely, in most people's cases) around pursuits of worldly gains, and not entirely because we have a choice. Screwtape writes that inhabiting both worlds comes at a cost: we lose our understanding of the spiritual world. That doesn't mean we shouldn't try, though. It's true that I could choose to focus solely on tuning my spiritual radio back to the Divine Channel, but I've grown up in a life that requires some degree of material success to provide for and maintain the other gifts I've been given from God: notably this body here that sits typing, nourishment enough to keep it healthy, the means to become and remain employed, a warm bed to sleep in at night, and the people who love me. Ironic, I dare say, but I'm sure it's all just part of the Plan. Not knowing, and having no control anyway, makes faith so much easier.
A spiritual man (one of the few I've ever really trusted) once told me he believes babies have memories of God when they're born, which totally jives with the concept of soul 'installation.' Eventually, of course, these memories fade, due both to the enormous worldly experiences we have growing up, and also to the teachings of the people surrounding us who have become 'seasoned' (wearied) and therefore willing (though unknowing) agents of Pantheon of Worldly Pursuits. Even when a human being grows up knowing God, that knowledge is always subject to the interpretation of those human beings who raise him or her, which, in my experience, always seems to be some self-interested perversion of true faith based on exclusion of those who disagree or believe differently, or don't match some description of the thing one finds oneself to already be. Zappa was right when he said we are dumb all over.
It's a terrible, messed up world we live and grow up in, but we're not completely hopeless. The ET statement reminds us that we all have the secret decoder ring to make sense of it all: our soul, and that if we listen, we will have the knowledge we need to make it through. I don't just mean survival; I'm talking about actually thriving in both the physical and spiritual worlds. We were all put here for a reason and given a unique Gift with which we were intended to make the world a better place. As I teach my children, it is up to each one of us to discover what that gift is, develop it, and then make good on our end of the bargain by using it for the betterment of the world (and people) around us.
Easier said then done, I know...but I'm trying. Even if I hadn't spent years developing this philosophy, there's almost no chance I (or anyone) would get it right on the first attempt. I've held many jobs and had many successes and failures, all of which only contributed to my understanding of the whole ordeal. We are only blind, feeling our way around a huge room to find the thing that feels just right, occasionally bumping into others who are blind, sometimes believing we've found what we were looking for, sometimes giving up and settling down wherever it was we stopped searching last. Sometimes we get up from a place we've been resting and continue the search, much to the anger or disappointment of those around us.
And all of that is okay. I don't believe we are meant to know right away what our intended role is, and I also believe if we don't get it right this time around, we're given another chance, and in between times we do get to go back to where we came from, and have a moment of rest with our creator before we're dumped back into the maelstrom.
There will be no disclaimer with this post. Even if I was formally educated in theology or philosophy or psychology, I don't think any of these professional fields includes what I think I've learned in my brief time exploring my own space in both the physical and spritual worlds. I don't claim to know what works for others, only what has been working for me, and I'm not interested in anyone's judgment of that. If I'm completely off the mark, so be it, but even if I'm driving myself off a cliff, I know I'm at least providing for a few very important people along the way, raising them up with love, having fun and enjoying each other's company, and encouraging them to develop their minds, thereby enabling them to ask those same questions of themselves that led me to my own conclusions. Even if I'm wrong, maybe they'll get something a little more right, and that will make it all worth the struggle.
SCWA
- "There are times in the life when the soul says, 'ET, go home, I don't like it here, it's a terrible squalor nasty place, and I wanna go back to Heaven...I wanna go back to the Garden of Eden, and merge back into the Whole, and God's eternal grace.' But I can only have that I if I die, but I wanna live, so I choose not to do that. At that point we begin to look for something in this world of reality to take the place of connecting with GOD."
I've allowed this statement to rattle around in my head ever since, weighing its validity from time to time, and I've never found cause to reject it. In fact, I've found it's the key to understanding many of my behaviours and some of the situations I've found myself in.
Of course, this statement is based on the assumption that a body has our soul 'installed' at some point during conception. A reiki practitioner once said to me, "Your body is not who you are; it's just a vehicle." I remember those words very clearly, and when I heard the ET statement, this experience came rushing at me like one of those movie epiphanies that ends with the camera focused only on the character's eyes, leaving me a little dumbstruck.
The ET statement is also based on the idea that there is a separation between the spiritual world and the physical world, and that we as human beings have the unique capacity to inhabit both simultaneously. This is something C.S. Lewis first introduced me to while reading The Screwtape Letters. Unfortunately, our modern existence revolves mostly (completely, in most people's cases) around pursuits of worldly gains, and not entirely because we have a choice. Screwtape writes that inhabiting both worlds comes at a cost: we lose our understanding of the spiritual world. That doesn't mean we shouldn't try, though. It's true that I could choose to focus solely on tuning my spiritual radio back to the Divine Channel, but I've grown up in a life that requires some degree of material success to provide for and maintain the other gifts I've been given from God: notably this body here that sits typing, nourishment enough to keep it healthy, the means to become and remain employed, a warm bed to sleep in at night, and the people who love me. Ironic, I dare say, but I'm sure it's all just part of the Plan. Not knowing, and having no control anyway, makes faith so much easier.
A spiritual man (one of the few I've ever really trusted) once told me he believes babies have memories of God when they're born, which totally jives with the concept of soul 'installation.' Eventually, of course, these memories fade, due both to the enormous worldly experiences we have growing up, and also to the teachings of the people surrounding us who have become 'seasoned' (wearied) and therefore willing (though unknowing) agents of Pantheon of Worldly Pursuits. Even when a human being grows up knowing God, that knowledge is always subject to the interpretation of those human beings who raise him or her, which, in my experience, always seems to be some self-interested perversion of true faith based on exclusion of those who disagree or believe differently, or don't match some description of the thing one finds oneself to already be. Zappa was right when he said we are dumb all over.
It's a terrible, messed up world we live and grow up in, but we're not completely hopeless. The ET statement reminds us that we all have the secret decoder ring to make sense of it all: our soul, and that if we listen, we will have the knowledge we need to make it through. I don't just mean survival; I'm talking about actually thriving in both the physical and spiritual worlds. We were all put here for a reason and given a unique Gift with which we were intended to make the world a better place. As I teach my children, it is up to each one of us to discover what that gift is, develop it, and then make good on our end of the bargain by using it for the betterment of the world (and people) around us.
Easier said then done, I know...but I'm trying. Even if I hadn't spent years developing this philosophy, there's almost no chance I (or anyone) would get it right on the first attempt. I've held many jobs and had many successes and failures, all of which only contributed to my understanding of the whole ordeal. We are only blind, feeling our way around a huge room to find the thing that feels just right, occasionally bumping into others who are blind, sometimes believing we've found what we were looking for, sometimes giving up and settling down wherever it was we stopped searching last. Sometimes we get up from a place we've been resting and continue the search, much to the anger or disappointment of those around us.
And all of that is okay. I don't believe we are meant to know right away what our intended role is, and I also believe if we don't get it right this time around, we're given another chance, and in between times we do get to go back to where we came from, and have a moment of rest with our creator before we're dumped back into the maelstrom.
There will be no disclaimer with this post. Even if I was formally educated in theology or philosophy or psychology, I don't think any of these professional fields includes what I think I've learned in my brief time exploring my own space in both the physical and spritual worlds. I don't claim to know what works for others, only what has been working for me, and I'm not interested in anyone's judgment of that. If I'm completely off the mark, so be it, but even if I'm driving myself off a cliff, I know I'm at least providing for a few very important people along the way, raising them up with love, having fun and enjoying each other's company, and encouraging them to develop their minds, thereby enabling them to ask those same questions of themselves that led me to my own conclusions. Even if I'm wrong, maybe they'll get something a little more right, and that will make it all worth the struggle.
SCWA
Thursday, January 19, 2012
No Love For Narnia
(alternate title: I Am A Very Bad Man)
I'm ashamed to admit it, but...
I just can't find love for the Chronicles of Narnia.
I know--just stone me. As literature goes, this series is supposed to be universal, loved by young and old, generation after generation. As authors go, C.S. Lewis is supposed to be captivating, inspiring wonder and excitement in the deepest recesses of the reader's mind. As epic stories go, the Narnia series is arguably a modern Aeneid, missing only a visit to the Underworld (and possibly a tragic father/son power struggle). And I'm sorry. But I just can't get there. Believe me, I've tried.
I made it through The Magician's Nephew just fine. I started The Lion, The Witch, And The Wardrobe only to get shut down by the kids with Lucy crying, "Mr. Tumnus! Mr. Tumnus!" I remember the very moment I read that line, feeling very goofy, completely unable to imitate what I'm sure Lewis meant to portray as a frightening and terrible moment. But the kids weren't having it. They'd given me twenty minutes of their bedtime ritual, and they were done. They politely requested I read something else.
I was genuinely aghast. Really, I knew *I* wasn't getting into it, but these little darlings were supposed to have been enchanted. Wasn't everybody when they first broke into this novel? I thought by that point they were supposed to be hanging on every word, knowing in their hearts that Mr. Tumnus, the tragic pawn of the White Witch's trap, had been caught and surely punished, but hoping with their last breath that he would somehow escape his inevitable fate. But they weren't. We opted for Brave Potatoes instead.
Eventually I finished the book out of principle, but it took me several weeks. I even started the Horse one after, but when the evil guy bargaining for the kid turned out to be everything he'd been presented as originally, with nothing either sincere or sinister beneath the surface waiting to be revealed at the last minute, I just gave up hope. I finished the chapter and re-shelved the book.
Now I'm trying again, this time working in the order in which the novels were written in an attempt to revive interest. Having Read Wardrobe, I'm now digging into Prince Caspian. I wasn't worried about missing anything in the long years between, because I made absolutely no emotional investment in the former. What I've found so far is what I remember experiencing before: a really good story told in a flat, linear, single-layered monotone. And every time Peter says, "By Jove!" I almost want to puke. The greatest value I can find overall are the colorful and wonderful passing descriptions Lewis makes of characters and landscapes, but he never stops telling the facts of the story long enough to let me, as a reader, enjoy the mental image he's just flashed before me before it's snatched away.
I don't know what my problem is. I am sure I'm missing something. I do, of course, realize that the story as a whole, in particular Wardrobe, is a Christian allegory. I also know that Lewis was a dear and respected friend of my very most favorite, J.R.R. Tolkien. And the people in my life who love books and stories and fantasy and literature love The Chronicles of Narnia. I've also read one of Lewis's earlier books, The Screwtape Letters, and I couldn't put it down. Not understanding the passion for this series is like stepping out of the theater for Snowcaps just as the key moment in the movie is about to occur. Everybody else is in awe by the time you get back, but it's simply too late for you.
Please, somebody help me. I want to find beauty and wonder in this series. I want to find what others say they love. I want these books to change me the way other classics have, but I guess I keep missing the mark. If anyone can offer some pointers, I'd really appreciate it. Don't worry though, I'm not giving up this time. I intend to finish Prince Caspian and The Voyage of the Dawn Treader. And then I'll watch the movies. But after that, all bets are off.
I'm so sorry, Clive. You know, it could be worse: I absolutely hated Voltaire, and I didn't even feel bad about it.
I'm ashamed to admit it, but...
I just can't find love for the Chronicles of Narnia.
I know--just stone me. As literature goes, this series is supposed to be universal, loved by young and old, generation after generation. As authors go, C.S. Lewis is supposed to be captivating, inspiring wonder and excitement in the deepest recesses of the reader's mind. As epic stories go, the Narnia series is arguably a modern Aeneid, missing only a visit to the Underworld (and possibly a tragic father/son power struggle). And I'm sorry. But I just can't get there. Believe me, I've tried.
I made it through The Magician's Nephew just fine. I started The Lion, The Witch, And The Wardrobe only to get shut down by the kids with Lucy crying, "Mr. Tumnus! Mr. Tumnus!" I remember the very moment I read that line, feeling very goofy, completely unable to imitate what I'm sure Lewis meant to portray as a frightening and terrible moment. But the kids weren't having it. They'd given me twenty minutes of their bedtime ritual, and they were done. They politely requested I read something else.
I was genuinely aghast. Really, I knew *I* wasn't getting into it, but these little darlings were supposed to have been enchanted. Wasn't everybody when they first broke into this novel? I thought by that point they were supposed to be hanging on every word, knowing in their hearts that Mr. Tumnus, the tragic pawn of the White Witch's trap, had been caught and surely punished, but hoping with their last breath that he would somehow escape his inevitable fate. But they weren't. We opted for Brave Potatoes instead.
Eventually I finished the book out of principle, but it took me several weeks. I even started the Horse one after, but when the evil guy bargaining for the kid turned out to be everything he'd been presented as originally, with nothing either sincere or sinister beneath the surface waiting to be revealed at the last minute, I just gave up hope. I finished the chapter and re-shelved the book.
Now I'm trying again, this time working in the order in which the novels were written in an attempt to revive interest. Having Read Wardrobe, I'm now digging into Prince Caspian. I wasn't worried about missing anything in the long years between, because I made absolutely no emotional investment in the former. What I've found so far is what I remember experiencing before: a really good story told in a flat, linear, single-layered monotone. And every time Peter says, "By Jove!" I almost want to puke. The greatest value I can find overall are the colorful and wonderful passing descriptions Lewis makes of characters and landscapes, but he never stops telling the facts of the story long enough to let me, as a reader, enjoy the mental image he's just flashed before me before it's snatched away.
I don't know what my problem is. I am sure I'm missing something. I do, of course, realize that the story as a whole, in particular Wardrobe, is a Christian allegory. I also know that Lewis was a dear and respected friend of my very most favorite, J.R.R. Tolkien. And the people in my life who love books and stories and fantasy and literature love The Chronicles of Narnia. I've also read one of Lewis's earlier books, The Screwtape Letters, and I couldn't put it down. Not understanding the passion for this series is like stepping out of the theater for Snowcaps just as the key moment in the movie is about to occur. Everybody else is in awe by the time you get back, but it's simply too late for you.
Please, somebody help me. I want to find beauty and wonder in this series. I want to find what others say they love. I want these books to change me the way other classics have, but I guess I keep missing the mark. If anyone can offer some pointers, I'd really appreciate it. Don't worry though, I'm not giving up this time. I intend to finish Prince Caspian and The Voyage of the Dawn Treader. And then I'll watch the movies. But after that, all bets are off.
I'm so sorry, Clive. You know, it could be worse: I absolutely hated Voltaire, and I didn't even feel bad about it.
Friday, January 13, 2012
Insanity
14 October 2011
This much pain creates a kind of insanity that drains the waters of confusion from the morass of self-imposed disorientation, and presents the difference between reality and fantasy with stark and unwelcome clarity. Thank God it only comes on rare occasions, and for tension headache pills, and for the Muses that help me exorcise these demons that escape as words written, chords played, and a rain of tears I can only hope will cleanse the Truth of a rotting plague.
SCWA
Saturday, January 7, 2012
Murder
Rage grew in my eyes.
"I know you're in here, and I'm going to find you," I muttered, "and I'm going to kill you."
Movements slowed as I watched the contours and shadows of every corner.
With the CRACK of my weapon, I struck. A body drifted to the floor. Victory!
The fly was dead.
* * * * *
FFF-55 Vol. XXIX. Tell a story in exactly 55 words. Go see G-Man.
"I know you're in here, and I'm going to find you," I muttered, "and I'm going to kill you."
Movements slowed as I watched the contours and shadows of every corner.
With the CRACK of my weapon, I struck. A body drifted to the floor. Victory!
The fly was dead.
* * * * *
FFF-55 Vol. XXIX. Tell a story in exactly 55 words. Go see G-Man.
Thursday, December 22, 2011
The Review and Experience of The Book Thief
The Experience
Today I finished The Book Thief, by Markus Zusak. In all my years of reading, my only memory of being moved to sobbing like this from a book or story way was caused by James Hurst's The Scarlet Ibis in 8th or 9th grade.
My wife was worried about me. My little daughter walked in and saw me in the aftermath of Himmel Street's destruction, and was concerned, but said nothing. They wonder why, and I have an answer. But how can I express it?
I imagine the questions. Or rather, I've heard the questions, and imagine the answers, if any askers ever had enough patience to hear them. The Question: Why read such things if they affect you in these ways?
Why indeed?
Because, my child, my wife, my neighbor, my friend... I am but a human, and being human, by definition, means being alone. We are all islands of Body cursed with the ability to see beyond ourselves, but never be beyond ourselves. This causes feelings of desire, want, hunger, jealously, ambition. We are plagued by our emotions, and they drive what we become. This happens to us all. But it happens to each of us alone.
If we were all as self-contained as our Bodies and Emotions would have us believe, we would never be able to share or express what we want, what we feel. We would instead go day to day doing what the powers that be make us think is the "right" thing to do. Enlist. Educate. Graduate. Employ. Marry. Procreate. Provide. Rinse. Repeat. Most of us are stuck in such a state, and I imagine most such folks are locked in some self-perpetuating cycle of confusion about why they might have landed in their particular life. More often than not, they bemoan it. Enter the existentialists.
It is for this reason that I believe there could never be such a thing as a true atheist. Who could imagine, let alone accept, that this is all there is to our lives? But I digress.
Maybe I'm alone in my answer to the Question, but I suspect not. The Answer: the reason I subject myself to such artisticly inspired depths and heights of emotion is because I refuse to be an island. I may not ever be able to be anything other than what sits in the chair as I write, but I can certainly reach and try to experience what else is here, what else has happened. Because I am certain to feel love, and desire, and loss, and when I do, I want to know what it looks like from the outside. I want to be able to recognize the smell of an experience when it comes my way. I want validation that those events that hurt and excite me are worth the trouble. I want to see someone else suffer, and love, and fail. I want to see how others deal with the tragedy and confusion of enduring the unendurable. I want to see it all because it will happen to me, and when it does, I want to be ready.
To refuse to acknowledge the experiences of others, shared through art, is to limit one's own human experience, and condemn oneself to being truly alone in an already lonesome existence.
So when I lay in bed sobbing over Liesel Meminger's loss, do not have pity for me; do not worry for me. Celebrate and recognize the bridge I've made, or rather, that I've found from my lonesome island to someone else's, in this case Zusak's. See that when I discover and cross such a bridge, I do so with every other person this novel has touched, and in this way, we all rise above the ocean that separates us. And know that for a moment, when the words on the page become more than dried ink on processed wood pulp, the story before me is transformed into real emotion handed directly from author to reader, and all I had to to was reach out and accept it.
Why, oh why, would anyone deny themselves such a gift?
The Review
The Book Thief is a beautiful novel, and true to its cover review, it will be life changing. It isn't an easy read, and though I know it's being assigned as middle school reading, it isn't for the unseasoned soul. Being narrated by Death, it becomes two stories, each intertwined with and dependent on the other. Though set in a familiar place for stories of love and tragedy, this is entirely new, and told in an entirely different way. It's not really possible to describe the novel beyond the characters and plot, because such a description doesn't even begin to say what the story is about.
If every other decent and common story you've ever read was a hamburger, you'd have a wide variety available. Most would equate themselves to McDonald's hamburgers, which are hardly hamburgers to begin with. The Book Thief, by comparison, is akin to the juiciest bar burger you've ever had the pleasure of biting into. It's thick and messy. It has lots of everything else you've ever had on all your other burgers, but something new too. There's a flavor you've never tasted, and it's almost too spicy to endure, but its addition to the whole makes this meal greater than any stack of meat and bread you've ever seen. This book demands to be read, and demands to be finished. In truth, you don't actually read this novel, you experience it. You let it in and offer it your chair. And though much of it is ugly and unpleasant, every page contributes to one of the most satisfying book experiences I can ever remember having.
Today I finished The Book Thief, by Markus Zusak. In all my years of reading, my only memory of being moved to sobbing like this from a book or story way was caused by James Hurst's The Scarlet Ibis in 8th or 9th grade.
My wife was worried about me. My little daughter walked in and saw me in the aftermath of Himmel Street's destruction, and was concerned, but said nothing. They wonder why, and I have an answer. But how can I express it?
I imagine the questions. Or rather, I've heard the questions, and imagine the answers, if any askers ever had enough patience to hear them. The Question: Why read such things if they affect you in these ways?
Why indeed?
Because, my child, my wife, my neighbor, my friend... I am but a human, and being human, by definition, means being alone. We are all islands of Body cursed with the ability to see beyond ourselves, but never be beyond ourselves. This causes feelings of desire, want, hunger, jealously, ambition. We are plagued by our emotions, and they drive what we become. This happens to us all. But it happens to each of us alone.
If we were all as self-contained as our Bodies and Emotions would have us believe, we would never be able to share or express what we want, what we feel. We would instead go day to day doing what the powers that be make us think is the "right" thing to do. Enlist. Educate. Graduate. Employ. Marry. Procreate. Provide. Rinse. Repeat. Most of us are stuck in such a state, and I imagine most such folks are locked in some self-perpetuating cycle of confusion about why they might have landed in their particular life. More often than not, they bemoan it. Enter the existentialists.
It is for this reason that I believe there could never be such a thing as a true atheist. Who could imagine, let alone accept, that this is all there is to our lives? But I digress.
Maybe I'm alone in my answer to the Question, but I suspect not. The Answer: the reason I subject myself to such artisticly inspired depths and heights of emotion is because I refuse to be an island. I may not ever be able to be anything other than what sits in the chair as I write, but I can certainly reach and try to experience what else is here, what else has happened. Because I am certain to feel love, and desire, and loss, and when I do, I want to know what it looks like from the outside. I want to be able to recognize the smell of an experience when it comes my way. I want validation that those events that hurt and excite me are worth the trouble. I want to see someone else suffer, and love, and fail. I want to see how others deal with the tragedy and confusion of enduring the unendurable. I want to see it all because it will happen to me, and when it does, I want to be ready.
To refuse to acknowledge the experiences of others, shared through art, is to limit one's own human experience, and condemn oneself to being truly alone in an already lonesome existence.
So when I lay in bed sobbing over Liesel Meminger's loss, do not have pity for me; do not worry for me. Celebrate and recognize the bridge I've made, or rather, that I've found from my lonesome island to someone else's, in this case Zusak's. See that when I discover and cross such a bridge, I do so with every other person this novel has touched, and in this way, we all rise above the ocean that separates us. And know that for a moment, when the words on the page become more than dried ink on processed wood pulp, the story before me is transformed into real emotion handed directly from author to reader, and all I had to to was reach out and accept it.
Why, oh why, would anyone deny themselves such a gift?
The Review
The Book Thief is a beautiful novel, and true to its cover review, it will be life changing. It isn't an easy read, and though I know it's being assigned as middle school reading, it isn't for the unseasoned soul. Being narrated by Death, it becomes two stories, each intertwined with and dependent on the other. Though set in a familiar place for stories of love and tragedy, this is entirely new, and told in an entirely different way. It's not really possible to describe the novel beyond the characters and plot, because such a description doesn't even begin to say what the story is about.
If every other decent and common story you've ever read was a hamburger, you'd have a wide variety available. Most would equate themselves to McDonald's hamburgers, which are hardly hamburgers to begin with. The Book Thief, by comparison, is akin to the juiciest bar burger you've ever had the pleasure of biting into. It's thick and messy. It has lots of everything else you've ever had on all your other burgers, but something new too. There's a flavor you've never tasted, and it's almost too spicy to endure, but its addition to the whole makes this meal greater than any stack of meat and bread you've ever seen. This book demands to be read, and demands to be finished. In truth, you don't actually read this novel, you experience it. You let it in and offer it your chair. And though much of it is ugly and unpleasant, every page contributes to one of the most satisfying book experiences I can ever remember having.
Thursday, December 15, 2011
Bibliophilia
Closing the book, I wipe away tears. My new acquaintance, Markus Zusak, has again brought me to such a state of reflectance. Such beauty in my hands, such tragedy. Such truth.
But I am alone in this houseful of people. There are none else who share this love. Not here.
T.S. Elliot and Emily Dickenson sit beside me, offering such treasures that no one else seems to recognize.
I am both enraged and ashamed. I am dumbstruck.
Poe sits above me and tempts my imagination, but I am the only one with enough patience to enjoy such a fine and delicious treat.
Milosz makes frames for my emotions. Dahl sits down to share an evil laugh. Hawthorne engages me in the finest depths of guilt. Buck reminds me what is just and good. Both Lewis and Carrol will walk with me along their separate paths. Homer and Virgil and Melville too, though most nights are usually too short to enjoy their company. Bradbury, Flaubert, Silverstein...when will there be enough time?
Figures crowd the room around my shelves, and only I can see. They smile silently at me, each knowing too well that part of my soul they alone have touched and spoken to. I carry them always with and within me, for the lessons and tools they have given have made me strong and rich.
Oh, how I am loathe to let those others be content without these gifts. But their time will come. They will find their way.
Or they will never truly know me.
But I am alone in this houseful of people. There are none else who share this love. Not here.
T.S. Elliot and Emily Dickenson sit beside me, offering such treasures that no one else seems to recognize.
I am both enraged and ashamed. I am dumbstruck.
Poe sits above me and tempts my imagination, but I am the only one with enough patience to enjoy such a fine and delicious treat.
Milosz makes frames for my emotions. Dahl sits down to share an evil laugh. Hawthorne engages me in the finest depths of guilt. Buck reminds me what is just and good. Both Lewis and Carrol will walk with me along their separate paths. Homer and Virgil and Melville too, though most nights are usually too short to enjoy their company. Bradbury, Flaubert, Silverstein...when will there be enough time?
Figures crowd the room around my shelves, and only I can see. They smile silently at me, each knowing too well that part of my soul they alone have touched and spoken to. I carry them always with and within me, for the lessons and tools they have given have made me strong and rich.
Oh, how I am loathe to let those others be content without these gifts. But their time will come. They will find their way.
Or they will never truly know me.
Close Call
When I was little, my dad stood with his head in the linen closet. “Can’t you hear that?” he asked, but by the time all us kids were upstairs, it was impossible for him to hear the tornado siren.
Light years away, a tentacled arm wiped a sweaty brow. “Þ∩Ħפ∩∟ך○Ŧ!” [Translation: “Phew, that was close!”]
* * * * *
FFF-55 Vol. XXVIII. Tell a story in exactly 55 words. Go see G-Man.
* * * * *
FFF-55 Vol. XXVIII. Tell a story in exactly 55 words. Go see G-Man.
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